The hostess shook her head and then reached for Crooks’ hand. “You did absolutely nothing wrong,” she said. “Thank you,” Crooks said, even though she sometimes still wondered. She reached for her water glass and lifted it up into the air to use as a prop. “He took hold of my hand and held me in place like this,” she said, squeezing the sides of the water glass, shaking it gently from side to side. “He started kissing me on one cheek, then the other cheek. He was talking to me in between kisses, asking where I was from, or if I wanted to be a model. He wouldn’t let go of my hand, and then he went right in and started kissing me on the lips.”.
A reunion with “Grandeur”: Playwright Han Ong returns to San Francisco’s Magic Theatre after 25 years with “Grandeur.” The story of the dance between a legendary musician and an ambitious journalist, this jazzy new drama is directed by Loretta Greco and stars the estimable Carl Lumbly (“Alias,” “Cagney & Lacey”), Details: Through June 25; Building D at Fort Mason complex, San Francisco; $35-$75; 415-441-8822, magictheatre.org.— ballerina digital paper pack, ballet seamless patterns, watercolor ballet shoes, tutu dress, pink roses violet peonies, chick pr Karen D’Souza, Staff, Honoring a silent film legend: How fitting that the 22nd San Francisco Silent Film Festival kicks off tonight with an enduring classic from one of cinema’s most influential stars — Harold Lloyd, He hilariously fumbles around in “The Freshman,” a kooky tale about an incoming student trying (in vain) to impress others, The festival includes many enticing offerings, including an epic-sized “The Three Musketeers,” which closes out the program June 4 on a swashbuckling note, Details: Opening film is 7 p.m, June 1 at Castro Theatre, San Francisco; festival runs through June 4; screenings $16-$22; schedule, tickets, more information at silentfilm.org.— Randy Myers, Correspondent..
“Do U Want It?”: Initially, this jazzy musical documentary about the New Orleans-based band Papa Grows Funk reminds you of a traditional fan homage. But something more dramatic happens along the way, as co-directors Josh Freund, of Oakland, and Sam Radutzky tap into the difficulties of sustaining a band, both on and off the road. Music buffs won’t want to miss it. Screening: 7 p.m. Feb. 2, the Roxie. “The Manhattan Front”: Anyone deciding to make a sweeping historical epic on a miniscule budget is either crazy or innovative. I say filmmaker Cathy Lee Crane demonstrates chutzpah and innovation by melding archival footage with stage-like set pieces for her large cast. Set in 1915, it chronicles the labor movement and efforts to sabotage it. The ensuing history lesson manages to not only be artistic but entertaining, even educational. Screenings: 4:30 p.m. Feb. 10, 7 p.m. Feb. 14, the Roxie.
A funny thing happened to Les Ballets Trockadero de Monte Carlo as it reached middle age, The venerable all-male drag ballet company, which has turned pastiche, melodrama and gender-bending ballerina digital paper pack, ballet seamless patterns, watercolor ballet shoes, tutu dress, pink roses violet peonies, chick pr dance into a rarified art form, has gotten downright respectable, The latest unmistakable sign of this is that the company member Chase Johnsey recently received the United Kingdom’s prestigious Critic’s Circle National Dance Award for best male dancer, It was the first time a male dancer who plays a ballerina role had been nominated in the category..
Gorgeous solid wide-plank walnut flooring flows throughout the more than 2,000-square-foot home. There are four bedrooms and three-and-a-half bathrooms, including two master suites. A solid mahogany front door with beveled glass panels opens onto the spacious formal living and dining rooms that are drenched in natural light. The living room has a large front-facing picture window and slider to a private outdoor deck. The formal dining room has a tray ceiling with up lighting and also front-facing window. A wall of custom cabinetry provides lots of additional storage space.
