Certainly “Tango Fatal” is fraught with meaning. The saga by San Francisco writer Lorenz Russo, about the downfall of a nightclub dancer in 1940s Buenos Aires, features a straightforward narrative and plenty of sizzling dancing. In addition, Basile says there is “divine” music composed by Carlos Franzetti, to be performed live by the San Jose Chamber Orchestra, under the direction of Barbara Day Turner. Helfgot, the former resident director and director of production for Opera San José–and the man responsible for sjDANCEco’s involvement with “Tango Fatal”–plays the dual role of narrator and bartender.
Q And Julie is still your accompanist for recitals, What’s that like?, A We like it quite a bit, In the beginning it was a little bit harder, because you’re juggling a lot of things, like raising children, I love performing with Julie, It’s easy, because we know each other so well, It’s another level of communication — an ease of communication that a lot of people aren’t lucky enough to enjoy, Q How do you even rehearse ballerina ballet dancer sketch machine embroidery file design 4x4 hoop - redwork while raising five kids?, A Honestly, it’s tiring, But at the same time, to have that music-making — that actually takes you away, and that’s helpful, You don’t always sound good when you’re practicing, because you might not have slept well the night before, But it’s all worth it..
My parents (and I suppose my family) considered me to be downright radical, but “feminists” considered me to be “old fashioned.” For me, being a feminist means being able to choose who you want to be as a woman, embracing all that makes us different from men, but not necessarily in an adversarial way. For a woman to tell me how I am supposed to look or behave is no different than a man telling me. No one should have that power over me (or anyone else). The biggest feminine cause I do support is equal pay for equal work. Another cause I support is a woman’s right to choose what can be done to her body, i.e. abortion rights. I also believe that women should be better represented in all fields, including politics, sports, entertainment, and that they should be given more attention for all that they do in their contributions to society in general.
Arcadia: Through Jan, 6, Ashby Stage, 1901 Ashby Ave., Berkeley, Set on a country estate between 1809 and the present-day, Arcadia explores mathematics, landscape gardening, Byron and the undeniable power of the human heart, $7-$52, https://shotgunplayers.org/, Tuck Everlasting: Through Dec, 30, Lucie Stern ballerina ballet dancer sketch machine embroidery file design 4x4 hoop - redwork Theatre, 1305 Middlefield Road, Palo Alto, Set in the 1890s, this story of free-spirited Winnie Foster follows her search for adventure and her discovery of the Tucks, a close-knit family with the secret to everlasting life, $35-$86, https://bit.ly/2yWnizj..
Cantor Arts Center at Stanford University. “Flesh and Metal: Body and Machine in Early 20th-Century Art,” more than 70 artworks that explore a central dynamic of art making in Europe and the Americas between the 1910s and the early 1950s, through March 16. “Her Story”: Prints by Elizabeth Murray, 1986–2006, through March 30. 11 a.m.-5 p.m. Wednesdays-Sundays; Thursdays till 8 p.m. Stanford campus, off Palm Drive at Museum Way. 650-723-4177 or museum.stanford.edu. Pacific Art League of Palo Alto. “Abstractions,” a juried exhibition of 40 works by 31 California artists, Main Gallery. “Stamps on Paper,” works by Mario Rosales, Servane Briand, Sunny Chen, Suhita Shirodkar, Caroll Woods, Amy Tang and Katherine Kain. Both exhibits Feb. 7 through Feb. 31. Reception 5:30-8 p.m. Feb. 7. Ceramics by Phyllis Lee, Craft Gallery, through March 31. Pacific Art League, 227 Forest Ave., Palo Alto. 9 a.m.-5 p.m., Mondays through Fridays. Free admission.
